The thriving transatlantic art trade between Britain and America during the Revolutionary era
By
James Goodwin
Summary
This article examines the thriving and complex art trade between Britain and the American colonies during the Revolutionary era, challenging the notion that artistic exchange was severed by political conflict. Drawing on historical records, it reveals how American colonists continued to commission portraits, purchase prints, and engage with British artistic trends even as tensions escalated. The piece explores the economic and aesthetic cross-pollination between mother country and colony, highlighting how art served as both a luxury commodity and a vehicle for cultural identity. It features figures like Benjamin Franklin, Charles Willson Peale, and John Singleton Copley, showing how American artists navigated transatlantic networks. The article ultimately argues that the art market was a site of ongoing connection and complexity, not simply rupture, during America's founding period.
Source
Key quotes
· 3 pulledThe arts have always travelled westward, and there is no doubt of their flourishing hereafter on our side of the Atlantic, as the number of wealthy inhabitants shall increase... since, from several instances, it appears that our people are not deficient in genius.
London merchants were already calling New England 'the greate martt and staple'.
Recent economic research suggests American income per head ac
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