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The architecture of dread: How Rem Koolhaas and corporate spaces inspired the horror of Backrooms

By

Edwin Heathcote

14d ago· 10 min readenInsight

Summary

Edwin Heathcote explores the cultural and architectural fascination behind the horror film Backrooms, which depicts endless, liminal corporate spaces. The article traces how the concept of infinite, soulless office environments—pioneered by architect Rem Koolhaas—has become a source of modern dread and artistic inspiration. It connects architectural theory, urban alienation, and the psychological horror of bureaucratic, non-places that feel both familiar and deeply unsettling.

Source

DezeenThe architecture of dread: How Rem Koolhaas and corporate spaces inspired the horror of Backroomsdezeen.com

Key quotes

· 5 pulled
As so often seems to happen, Koolhaas got there first.
The Backrooms is a place of infinite, beige-carpeted, fluorescent-lit corridors and meeting rooms, a purgatory of corporate anonymity.
There is something deeply unsettling about the spaces we inhabit but never truly occupy, the liminal zones of modern life.
The horror of the Backrooms is not the horror of the unknown, but the horror of the all-too-familiar.
Architecture has always been about creating a sense of place, but what happens when the place is designed to be nowhere at all?
Snippet from the RSS feed
Following the surprise success of architectural horror flick Backrooms, Edwin Heathcote considers the basis for our morbid fascination with endless corporate spaces.

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