The architecture of dread: How Rem Koolhaas and corporate spaces inspired the horror of Backrooms
By
Edwin Heathcote
Summary
Edwin Heathcote explores the cultural and architectural fascination behind the horror film Backrooms, which depicts endless, liminal corporate spaces. The article traces how the concept of infinite, soulless office environments—pioneered by architect Rem Koolhaas—has become a source of modern dread and artistic inspiration. It connects architectural theory, urban alienation, and the psychological horror of bureaucratic, non-places that feel both familiar and deeply unsettling.
Source

Key quotes
· 5 pulledAs so often seems to happen, Koolhaas got there first.
The Backrooms is a place of infinite, beige-carpeted, fluorescent-lit corridors and meeting rooms, a purgatory of corporate anonymity.
There is something deeply unsettling about the spaces we inhabit but never truly occupy, the liminal zones of modern life.
The horror of the Backrooms is not the horror of the unknown, but the horror of the all-too-familiar.
Architecture has always been about creating a sense of place, but what happens when the place is designed to be nowhere at all?
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