Lance Oppenheim’s new film doesn’t paint Chris Hansen as a hero. The To Catch a Predator host's real-world copycats are even more reckless.




Recording the episode is the hard part. Booking the guest, prepping the questions, fixing the audio, writing the show notes. That is real work and it takes real hours. Then it goes out, and the tweet announcing it gets 11 impressions. The gap between th
“La gente flipa porque improviso bastante. Si algo se me ocurre y me hace gracia, me grabo y lo subo directamente”, dice la creadora de contenido. Sus claves: espontaneidad, ironía y ‘autotune’














