
The late Samsung chairman's collection, donated by his family, is making its final overseas stop at the British Museum. The exhibition spans 2,000 years of Korean art and history, from ancient artifacts to contemporary works.
artMonday, September 21, 2026
The late Samsung chairman's massive art collection makes its final overseas stop, landing at the British Museum. Meanwhile, San Sebastian's WIP competition highlights the industry's ongoing push to support unfinished films, and brands are turning production itself into content.
A major Korean art collection arrives in London, tracing 2,000 years of creativity.

The late Samsung chairman's collection, donated by his family, is making its final overseas stop at the British Museum. The exhibition spans 2,000 years of Korean art and history, from ancient artifacts to contemporary works.
San Sebastian keeps its focus on works in progress, with Latin American and European projects competing for post-production support.
San Sebastian's WIP competition has selected 10 projects from hundreds of submissions, with six Latin American titles vying for post-production support and distribution in Spain. It's a reminder that getting a film finished is often harder than getting it started.
Latido Films picked up international sales rights to Isaki Lacuesta's documentary on flamenco history, which will close a section at San Sebastian. Lacuesta has won the festival's top prize twice, so this one has pedigree.
Advertising shifts from selling the product to selling the making of it.
Brands are increasingly turning the production process itself into marketing content, showing the people and craft behind the final product. Campaign Review examines why this approach is gaining traction.
Dior and A24 released a short film where actors try to impersonate designer Jonathan Anderson, using humor to test whether a brand's identity is distinctive enough to be mimicked. It's a clever way to promote their partnership at Cherry Lane Theatre.
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