Views & Reviews How do You Move between Guilt and Involvement in South Africa? A Journey to the Homeland Katharine Cooper Photography

Watch — Xenophobia, fear and South Africa’s fault lines

Alan Gignoux: Homeland Lost review – a landscape as bereft as its people

P21 Gallery, London Resonant black and white photographs show Palestinian refugees and the sites today of the homes they were forced to leav

Japan heeft liever een AI-camera in de kamer dan een migrant in de keuken

Japan gaat de gevolgen van vergrijzing en personeelstekorten te lijf met behulp van kunstmatige intelligentie. Het voorkomt dat politici las

A boy clowning around on a basketball court in a Colombian cocaine corridor: Mads Nissen’s best photograph

‘I took this in 2017, when Didiller was nine. A few years ago, I returned to the area and asked about him, but couldn’t find him. Someone to

STRONGER THAN FEAR OP-ED: The day the buses left: Confronting xenophobia and rediscovering our humanity

I have seen things this week that have left me deeply ashamed, but I also saw compassion shown towards 88 frightened, vulnerable men fleeing

'Ben'Imana' Review: Dusabejambo's Camera d'Or-Winner Examines Forgiveness After Genocide

Marie-Clémentine Dusabejambo's Rwandan Camera d'Or-winner "Ben'Imana" asks if it is possible to forgive the unforgivable.