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John Powell on composing 'Minions & Monsters' and the post-credits gag he can't believe he got away with

By

Devon Ivie

7h ago· 7 min readen

Summary

A profile of veteran composer John Powell, focusing on his work scoring the animated special 'Minions & Monsters' for Despicable Me's 10th anniversary. The article highlights Powell's career journey from Face/Off to Wicked, his creative process, and a particularly 'outrageously stupid' post-credits gag he convinced the studio to include. It explores his musical approach to the Minions franchise, his collaboration with directors, and his reflections on composing for animation versus live-action films.

Source

Twitter / XJohn Powell on composing 'Minions & Monsters' and the post-credits gag he can't believe he got away withvulture.com

Key quotes

· 4 pulled
I couldn't believe anybody let me do it. It's so outrageously stupid, but it's so funny.
The Minions are like a jazz band. They don't speak, but they communicate through sound and rhythm, and that's a composer's dream.
Animation allows you to be more playful with music. You're not bound by the same rules of reality that live-action films have to follow.
When you're scoring a Minions movie, you have to embrace the chaos. The music has to be as energetic and unpredictable as the characters themselves.
Snippet from the RSS feed
The most delightful, ‘outrageously stupid’ gag in ‘Minions & Monsters’ starts when the film ends. “I couldn’t believe anybody let me do it,’ the movie’s composer says.

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