The Indigenous Turn, or the Spectacle of Otherness: Cultural Political Economies of the 60th Venice Biennale, Foreigners Everywhere
The 60th Venice Biennale, Foreigners Everywhere , placed the figure of the foreigner at its center, drawing on Adriano Pedrosa’s curatorial idea that foreignness is a pervasive condition of human…
Read the full articleYou might also wanna read
The rise of small-scale art biennials and the question of what 'local' really means
And what, Jenny Wu asks, does it mean to be a local in the first place?

“Redenciones marginales”: la expo que rescata seis décadas de arte y activismo LGBT de la artista mexicana Marysole Wörner Baz
La muestra, que reúne 72 obras y documentos, permanecerá abierta con entrada gratuita hasta el 25 de octubre en el Museo de Arte Moderno
Decolonial Cartography: Reimagining Islands Beyond Colonial Mapping Traditions
By Cara Flores, Josephine Chambers & 2 more. Through thinking with and learning from island ontologies, we aim to conceptualize and illustra
Manifesta 16 Ruhr Review: Questioning the Impact of a Biennial in Post-Industrial Germany
What can a biennial realistically achieve by temporarily corralling defunct churches and activating ‘creative mediation’?

Exposição gratuita permite manusear obras de arte em formato de livro
Mostra na Galeria Gravura Brasileira reúne cinquenta artistas nacionais e internacionais contemporâneos
Indigenous mental models for conceptualizing ecosystem services and benefits
1. In this paper we build on the previous work that explores relations between Indigenous people (First Nations; Traditional Owners) and the

Comments
Sign in to join the conversation.
No comments yet. Be the first.