The CIA Connection: Peter Matthiessen, The Paris Review, and Cold War Cultural Influence
By
benbreen
If you only eat one bagel today, this is the bagel.
Summary
This article explores the complex relationship between The Paris Review literary magazine and the CIA, focusing on co-founder Peter Matthiessen's dual role as a writer and undercover CIA operative. It examines how Matthiessen's CIA affiliation was revealed in 1977 and the ongoing questions about whether the magazine was created as a CIA front or simply benefited from the agency's cultural Cold War initiatives. The piece delves into the historical context of CIA cultural influence during the Cold War, the magazine's founding in Paris, and the implications of this connection for understanding the intersection of literature, politics, and intelligence operations.
Key quotes
· 4 pulledIn a funny way, it was really the fact that writing is far too solitudinous an activity that gave us The Paris Review. Along with the CIA, of course.
The New York Times revealed Matthiessen's CIA affiliation in a bombshell 1977 story.
Peter Matthiessen was one of the magazine's founders, and that his enchantingly shabby Paris apartment provided a bumptious gathering place in its earliest days.
The second is that he was, at the time, an undercover CIA operative, and that the creation of the magazine was somehow wrapped up in his spycraft.
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