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Review: Ambrose Akinmusire and Mary Halvorson's Collaborative Album Blends Jazz Balladry with Ambiguous, Multilayered Textures

By

Rae-Aila Crumble

16h ago· 4 min readenReview

Summary

A review of the collaborative album "Slo-Mo Neon Luminate Hoverings" by trumpeter Ambrose Akinmusire and guitarist Mary Halvorson. The review highlights how the duo's different tonal approaches transform the opening ballad "Prelude in the Ash" away from obvious emotional readings toward something more ambiguous and multilayered, blending Akinmusire's sentimental, film-noir-style phrases with Halvorson's rocky arpeggios and signature glassy pitch bends.

Source

PitchforkReview: Ambrose Akinmusire and Mary Halvorson's Collaborative Album Blends Jazz Balladry with Ambiguous, Multilayered Texturespitchfork.com

Key quotes

· 3 pulled
Akinmusire's sentimental phrases could soundtrack scenes of pouring rain in a film noir.
Halvorson joins with a rocky arpeggio that occasionally summons her signature glassy pitch bends, balancing Akinmusire's assuredness with a sense of timidity.
The artists' different tonal approaches turn the jazz ballad away from obvious readings like 'sad' or 'romantic' and toward ambiguous, multilayered
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Read Rae-Aila Crumble’s review of the album.

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