Shu Lea Cheang's 1994 Film "Fresh Kill" Examines Environmental Racism and Queer Family Through a Cyberpunk Lens
By
Maxwell Rabb
Summary
This article profiles Taiwanese American filmmaker Shu Lea Cheang and her 1994 debut film "Fresh Kill," a queer ecofeminist cyberpunk cult classic. The film follows a lesbian couple, Shareen and Claire, and their daughter Honey living in a polluted Staten Island industrial zone. When their daughter ingests contaminated tuna from a multinational corporation, the family goes on the run. The article explores how the film's themes of environmental racism, corporate greed, queer family structures, and surveillance capitalism feel remarkably prescient decades later. Cheang discusses her DIY approach to filmmaking, the film's exploration of toxicity and community, and how her background as a multimedia artist shaped the work. The piece also touches on the film's recent restoration and re-release through Criterion.
Source
Key quotes
· 4 pulledLiving in New York, you always encounter these really unexpected [moments].
I was thinking about toxicity, about how we are all living in a toxic environment, and how we navigate that.
The film is about community, about how we survive together in the face of environmental and corporate violence.
Fresh Kill is a film that feels like it was made for today, even though it was made 30 years ago.
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