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Kenzaburo Oe on Writing, Activism, and the First-Person Narrative

By

Interviewed by Sarah Fay

15h ago· 12 min readen

Summary

An interview with Nobel Prize-winning Japanese author Kenzaburo Oe, exploring his literary philosophy, his commitment to first-person narrative style, his activism on issues like Hiroshima and Okinawa, and his approach to writing about disability and scholarly life. The piece reveals Oe as a modest, lighthearted figure who takes serious subjects seriously but not himself.

Source

Twitter / XKenzaburo Oe on Writing, Activism, and the First-Person Narrativetheparisreview.org

Key quotes

· 3 pulled
I've cultivated the first-person style as opposed to the third person. It's a problem. A really good novelist is able to write in the third person, but I have never been able to write well in the third person.
Kenzaburo Oe has devoted his life to taking certain subjects seriously—victims of the atomic bombing of Hiroshima, the struggles of the people of Okinawa, the challenges of the disabled, the discipline of the scholarly life—while not appearing to take himself seriously at all.
Unfailingly modest and lighthearted, he dresses in sport shirts, fidgets a great deal, and smiles easily.
Snippet from the RSS feed
“I’ve cultivated the first-person style as opposed to the third person. It’s a problem. A really good novelist is able to write in the third person, but I have never been able to write well in the third person.”

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