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Tate Modern's "Frida: The Making of an Icon" criticized for commodifying Kahlo's legacy

By

Laura Cumming

8d ago· 2 min readenReview

Summary

A scathing review of Tate Modern's exhibition "Frida: The Making of an Icon," which the critic argues commodifies and trivializes Frida Kahlo's legacy by focusing on merchandise, knick-knacks, and tribute objects rather than her actual artwork. The exhibition is criticized for reducing Kahlo to a secular saint and marketable brand, displaying items like tequila bottles, Barbie dolls, and phone cases instead of her paintings.

Source

Twitter / XTate Modern's "Frida: The Making of an Icon" criticized for commodifying Kahlo's legacyobserver.co.uk

Key quotes

· 4 pulled
Frida is back, commodified into oblivion at Tate Modern.
Come and discover how Frida became an icon, for which read tequila bottles, floral headdresses, phone cases, chunky gewgaws and even the notorious Frida Barbie, her disfiguring monobrow neatly erased.
In a museum first, at least for me, many of these objects are not just in the gift shop but actually on display in the exhibition itself.
Instead, the show dilates upon Kahlo as secular saint: a Day of the Dead altar for Frida, worshipful tributes by...
Snippet from the RSS feed
Complete with knick-nacks, shrines, and bad tribute acts, what is missing from Tate Modern’s woeful show is Kahlo’s own work

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