Why Expedition 33 and The Last of Us 2 succeed where most games fail: the power of a clear creative vision
By
Josh Broadwell
Summary
This article argues that the best video game stories, like The Last of Us Part 2 and the upcoming Expedition 33, succeed because they have a clear, uncompromising creative vision rather than trying to appeal to everyone. It contrasts this approach with games that suffer from "design by committee," where focus groups and broad market appeal dilute the narrative. The piece uses The Last of Us 2 as a prime example of a divisive but artistically bold story that stuck to its themes of revenge and consequence, and suggests Expedition 33 may follow a similar path. The author contends that games willing to alienate some players in service of a strong vision ultimately create more memorable and meaningful experiences.
Source
polygonWhy Expedition 33 and The Last of Us 2 succeed where most games fail: the power of a clear creative visionpolygon.comKey quotes
· 4 pulledThe best video game stories have a clear vision and purpose, like The Last of Us 2, instead of trying to be something for everybody.
When a game tries to be everything to everyone, it often ends up being nothing to anyone.
The Last of Us 2 was divisive precisely because it had the courage to tell the story its creators wanted to tell, not the one focus groups demanded.
Expedition 33 seems to understand that the most memorable stories are the ones that take risks, even if that means not everyone will enjoy the ride.
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