‘All We Imagine As Light’ Review: Payal Kapadia’s Sublime Love-Hate Letter To Mumbai

Remembrance of things past, and the memory of hope

Imtiaz Ali’s Main Vaapas Aaunga joins the finest traditions of Partition literature to argue that memory fulfils its purpose by renewing emp

Christopher Nolan's India visit: Indian filmmakers who have been inspired by the master storyteller

X in India: Censorship, Grok, and Power Play

Muslim identity on the Hindi screen

Mohammad Asim Siddiqui’s new book traces how Hindi cinema has constructed, marginalised, and weaponised Muslim identity across eight decades

When Fiction Knows Us Better Than Technology: What Chosen Spirits Taught Me About Surveillance Capitalism in India

Longing has a gender in Imtiaz Ali’s cinema

Main Vaapas Aaunga powerfully restores the memory of Partition for a new generation, but does so through an overwhelmingly male emotional pe