The magic of cinema: time as becoming in Strangers in Good Company
This article examines the ability of cinema to alter our perception and experience of time and ageing by analysing the film, Strangers in Good Company, as an example of what Gilles Deleuze called a time-image film in his philosophy of cinema. By looking at the cinematic representation of time as culturally contingent and open to change, and the boundary betw
International Journal of Ageing and Later Life13y ago 
