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'Motor City' Review: A Dialogue-Free Thriller That Channels Scorsese and Kenneth Anger
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'Motor City' Review: A Dialogue-Free Thriller That Channels Scorsese and Kenneth Anger
Review
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'Evil Dead Burn' Review: A Grim, Effective Horror Entry Lacking the Franchise's Original Levity
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'Evil Dead Burn' Review: A Grim, Effective Horror Entry Lacking the Franchise's Original Levity
Review
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Are Hollywood Movies Still About America? A Critical Look at Cinema and National Identity
Opinion
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Are Hollywood Movies Still About America? A Critical Look at Cinema and National Identity
Opinion
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'Young Washington' Review: A Grade-School-Style Biography of the Founding Father
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'Young Washington' Review: A Grade-School-Style Biography of the Founding Father
Review
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The Best Films of 2026: A Mid-Year Assessment of Cinema's Health
Insight
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'House of Criticism' Review: A Documentary Portrait of Married Art Critics Jerry Saltz and Roberta Smith
Review
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'Lucky Strike' Review: Rod Lurie's War Spectacle Lacks Emotional Stakes Despite Strong Combat Sequences
Review
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'Supergirl' Review: A Dystopian Superhero Film Undone by a Terrible Script and Corporate Pretension
Review
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Review: 'Peter Asher: Everywhere Man' Documentary Profiles 60s Pop Star Turned 70s Producer
Review
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"Finnegan's Foursome" Review: Edward Burns Returns with Familiar Indie Charm
Review
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‘Dreams of Violets’ Review: What Does a Film Made Entirely with AI Look Like? Ash Koosha’s Iranian Protest Drama Is Dramatically Numbing, but It’s Still a Startling Portent of the Future
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Variety29d agoV

'Bang My Box: The Robin Byrd Story' Review: The Public Access Mistress
News
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'Toy Story 5' Review: A Worthy Addition to an Unbroken String of Brilliant Sequels
Review
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The Mainstreaming of Alien Conspiracy Theories and America's Return to Magical Thinking
Insight
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'The Leader' Review: Tim Blake Nelson's Disturbing Portrayal of Heaven's Gate Cult Leader
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'Disclosure Day' Review: Spielberg's UFO Thriller Follows Rather Than Leads the Culture
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