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Review: Sofia Coppola's 'Marc by Sofia' Offers an Intimate but Superficial Portrait of Fashion Designer Marc Jacobs
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'Is God Is' Review: Aleshea Harris's Stage-to-Screen Revenge Saga on MGM+ Is Provocative and Invigorating
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'Mile End Kicks' Review: Barbie Ferreira Stars in a Rom-Com About a Young Music Critic in Montreal's Indie-Rock Scene
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Review: 'Passenger' on VOD is a generic supernatural horror film that fails to impress
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'The Furious' Review: A Brutal, Over-the-Top Martial Arts Action Film on VOD
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Review: 'The Choral' on Netflix — A Ralph Fiennes Wartime Drama That Keeps Its Emotions at Arm's Length
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'Bang My Box: The Robin Byrd Story' — A Documentary About a Public Access Icon, AIDS Activist, and NYC Legend
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Review: 'Enola Holmes 3' on Netflix Loses Charm as Franchise Shows Sequel Fatigue
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The Devil Wears Prada 2 Review: A Gussied-Up Sequel Navigating Fashion Media's Digital Disruption
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'Obsession' Review: Curry Barker's Horror-Thriller Is a Box Office Smash With a Standout Performance
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Review: Netflix's 'Little Brother' with Eric André and John Cena is a crass comedy that misses more than it hits
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Review: 'Strung' on Peacock — A Blumhouse/Tyler Perry Thriller That's Ridiculous Fun (or Not)
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'The Welcome Table' Review: Josh Fox's Documentary Examines Climate Displacement Through Personal Stories
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'In the Hand of Dante' Review: Julian Schnabel's Time-Hopping Netflix Film Starring Oscar Isaac Is an Overindulgent Misfire
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'The Sheep Detectives' Review: A Surprisingly Substantive Talking-Sheep Murder Mystery on Amazon Prime Video
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Review: Boots Riley's 'I Love Boosters' Is a Surrealist Satire of Late Capitalism Starring Keke Palmer
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Review: 'Carolina Caroline' — A Formulaic Lovers-on-the-Run Romance Despite Samara Weaving's Charm
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Review: 'I Can Only Imagine 2' on Starz Falls Short of the Original MercyMe Biopic
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'Color Book' Review: A Black-and-White Drama About a Father and Son Navigating Grief on Their Way to a Baseball Game
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Review: Edward Burns' 'Finnegan's Foursome' Is a Dull Golf Dramedy on VOD
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