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Sam Neill, New Zealand Actor Known for 'Jurassic Park' and 'The Piano,' Dies at 78
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'Lover, Not a Fighter' Review: Martina Buchelová's Debut Film Is a Freewheeling Slovak Romantic Comedy
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'Lover, Not a Fighter' Review: Martina Buchelová's Debut Film Is a Freewheeling Slovak Romantic Comedy
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'Fruit Gathering' Review: Aung Phyoe's Debut Film Explores Friendship and Quiet Longing in a Myanmar Textile Factory
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'How to Breathe Under Water' Review: A Familiar Premise Elevated by Strong Performances
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'3 Weeks After' Review: Miroslav Terzić's School-Bullying Drama Is Unflinching and Formally Rigorous
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'Black Money for White Nights' Review: A Bulgarian Tragicomedy About Bribery and Its Consequences
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'Robert Richardson: The White Devil' Documentary Review — A Candid Portrait of the Oscar-Winning Cinematographer
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'Mary Oliver: Saved by the Beauty of the World' Documentary Review
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'Lucy Lost' Review: Olivier Clert's Ghibli-Inspired Animated Wartime Adventure
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'Memorizu' Review: Miiku Sakanishi's Debut Explores Digital Connection in a Japanese Family Drama
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'Jackass: Best and Last' Review: A Nostalgic and Amusing Farewell to the Extreme Stunt Franchise
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'Minions & Monsters' Review: A Mostly Delightful Seventh Entry with Vintage Slapstick Charm
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'Minions & Monsters' Review: A Mostly Delightful Seventh Entry with Vintage Slapstick Charm
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'Ponderosa' Review: Bill Camp Shines in Rob Rice's Eccentric Black Comedy About an Unlikely Suburban Bond
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'Stand Up' Review: Dutch Disability Drama Avoids Inspirational Clichés
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‘Voicemails for Isabelle’ Review: Zoey Deutch and Nick Robinson Give a Hard-Sell Romcom Premise the Hard Sell
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Variety28d agoV

‘Colors of White Rock’ Review: Vivid Documentary Portrait of a Trucker Traveling Mongolia’s Desert of Broken Dreams
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Variety29d agoV

'Girls Like Girls' Review: Hayley Kiyoko's Feature Debut Offers a Conventional but Refreshing Queer Coming-of-Age Story
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'Girls Like Girls' Review: Hayley Kiyoko's Feature Debut Offers a Conventional but Refreshing Queer Coming-of-Age Story
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