Appears on
Articles42
I
Dead Meat YouTube Channel Launches Fresh Meat Horror Short-Film Competition for Emerging Filmmakers
News
0
IndieWire1d agoI
'Ferine' Trailer Debuts Ahead of Fantasia Film Festival Premiere
News
0
IndieWire3d ago
Why 'Army of Darkness' Is Essential Viewing to Understand 'Evil Dead Burn' and the Franchise's Future
Insight
0
IndieWire6d agoI
Why Physical Media Still Matters in the Age of Streaming: An Opinion on Digital Ownership and Film Preservation
Opinion
0
IndieWire6d agoI
'Evil Dead Burn' Review: French Filmmaker Brings Family Drama and Fresh Chaos to the Horror Franchise
Review
0
IndieWire8d agoI
Netflix Games and Industry Layoffs Signal a Flattening Entertainment Economy
Opinion
0
IndieWire9d ago
Revisiting Kevin Costner's 'The Postman': A Sincere American Epic About Hope and Community
Insight
0
IndieWire13d ago
Fantasia 2026 Final Wave: IndieWire exclusively reveals 30th anniversary lineup with Refn, Shimizu, 'Freaks Part II'
News
0
IndieWire15d ago
Q2 Horror Box Office: How 'The Backrooms' and 'Obsession' Exposed the Gap Between Legacy and Trust
Opinion
0
IndieWire15d agoI
'Pan's Labyrinth' Returns to Theaters for 20th Anniversary with New 4K Restoration and 3D Release
News
0
IndieWire17d agoI
"She's the He" Review: A Fresh, Optimistic Trans Teen Comedy
Review
0
IndieWire27d ago‘The Testaments’ Cinematographer Greta Zozula on Reimagining Gilead Without Its Most Iconic Color — Watch
During IndieWire’s Craft Roundtables, the DP explained how shifting perspective, and removing the signature red of the earlier "Handmaid’s Tale," helped establish Hulu’s sequel series.
0
IndieWire28d ago‘Shrinking’ Cinematographer John Brawley Explains How ‘Moving on’ Shaped the Look of Season 3
At IndieWire’s Craft Roundtables, the DP broke down how the Apple TV+ comedy used visual storytelling to reflect each season’s emotional journey.
0
IndieWire28d agoHow ‘Voicemails for Isabelle’ Filmmaker Leah McKendrick Went Big Without Losing Her Voice
For IndieWire, McKendrick talked about Taylor Swift, Shonda Rhimes, embracing rewrites, and the language of genre filmmaking — all while tracing the eight-year path that brought her to Netflix.
0
IndieWire28d agoI
'Girls Like Girls' Review: Hayley Kiyoko Expands Her Queer Music Video Into a Feature Film
Review
0
IndieWire1mo agoI
Sarah Snook and 'All Her Fault' Team Reveal How Visual Clues in Costumes and Sets Enhance Peacock's Thriller
News
0
IndieWire1mo agoI
'Night Nurse' Trailer: Georgia Bernstein's Sundance Psychological Thriller Arrives July 10
News
0
IndieWire1mo agoI
'Hacks' Season 5 Panel Explores Comedy as Connection and Empathy
News
0
IndieWire1mo agoI
Netflix Documentary Provides Necessary Counterpoint to Sanitized Michael Jackson Biopic
Opinion
0
IndieWire1mo agoI
Michelle Khare Receives Pulse Award at IndieWire Honors, Advocates for Independent Storytelling
News
0
IndieWire1mo ago