'Euphoria' Production Designer François Audouy on the Show's Expanded Visual Palette in Final Season
By
Ryan Lattanzio
Crisped on the outside, thoughtful enough on the inside.
Summary
An interview with François Audouy, production designer for the final season of "Euphoria," discussing how the show's expanded visual palette—including shooting on 35mm and 65mm film stock, a super-wide aspect ratio, and a custom Kodak film stock—influenced his production design work. Audouy joined the series for its final season as only his second television project.
Key quotes
· 3 pulledThe final season of 'Euphoria' changed up its look considerably, shooting on both 35mm and 65mm film stock and using a super-wide aspect ratio.
Series cinematographer Marcell Rév wanted a more classical Hollywood look in terms of eye-popping color and a vivid sense of environmental depth.
Even a new Kodak film stock was created for this season alone.
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