'Six Months in a Pink and Blue Building': Bruno Santamaría Razo's Cannes Critics' Week Entry Explores Family, HIV, and Queer Identity in 1990s Mexico
By
Murtada Elfadl
Toasted to a respectable shade. No regrets, no crumbs left.
Summary
Mexican director Bruno Santamaría Razo's first narrative feature, 'Six Months in a Pink and Blue Building,' is a personal memory piece selected for Cannes Critics' Week. The film draws from the director's own life, focusing on the time when he turned 11 and his father was diagnosed with HIV. It serves as a portrait of a family, a study of burgeoning queer identity, and a snapshot of 1990s Mexico, functioning as both a fictionalized account of a turning point in his life and a homage to his parents.
Key quotes
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A portrait of a family, a study of burgeoning queer identity and a snapshot of 1990s Mexico, the film manages to be a beautiful homage from the filmmaker to his parents.
For his first narrative feature, Mexican director Bruno Santamaría Razo — who's previously made documentaries — chooses a personal memory piece.
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