Discovery Zone's "Library Copy Do Not Remove" Album Review: Borges Meets the Simulation Hypothesis
By
Raphael Helfand
The kind of bagel that ruins lesser bagels for you.
Summary
A review of Discovery Zone's (JJ Weihl) third solo album "Library Copy Do Not Remove," which draws inspiration from Jorge Luis Borges' short story "The Library of Babel" and connects it to the simulation hypothesis. The article explores how the album uses Borges' concept of an infinite archive of books configured into every possible combination as a framework for musical expression.
Key quotes
· 3 pulled"You who read me—are you certain you understand my language?" asks the narrator of Jorge Luis Borges' "The Library of Babel."
The Argentine writer's short story, first published in 1941, imagines an infinite archive of books in which the alphabet has been configured into every possible combination, resulting in a limitless array of texts meaning everything and nothing.
In creating Library Copy Do Not Remove, her third solo album as Discovery Zone, JJ Weihl connected Borges's logical puzzle to the simulation hypothesis.
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