Theo Parrish's "First Floor": A Review Rooted in Disco's Complicated Legacy
By
Dash Lewis
Baker's choice. Dense with flavour, light on filler.
Summary
The article reviews Theo Parrish's album "First Floor," using the infamous 1979 "Disco Demolition Night" at Comiskey Park as a framing device. The event, where a racist and homophobic mob burned disco records, serves as a backdrop to discuss Parrish's work and its relationship to house music, disco, and Black musical traditions. The review explores how Parrish's album connects to the history and cultural significance of dance music that emerged from the ashes of disco's backlash.
Key quotes
· 3 pulledOn a hot July night in 1979, a racist, homophobic mob tried to destroy disco.
Mike Veeck, son of team owner Bill Veeck, hatched a plan to stop the hemorrhaging, inviting WLUP shock jock Steve Dahl to burn a crate of disco records on the field.
Dahl was a dyed-in-the-wool rock radio DJ, aggravated by what he saw as a national trend toward disco-centric programming.
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