Cherry Merlot: A Vintage Ink Script Typeface by AnMark for Branding and Editorial Design
By
Dirk Petzold
Toasted golden, schmeared with insight. Top of the rack.
Summary
Cherry Merlot is a vintage ink script typeface designed by AnMark, described as balancing softness and structure, edge and elegance. It is positioned as a compelling script release on Creative Market, suited for branding, packaging, and editorial design work.
Key quotes
· 3 pulledThis vintage ink script by AnMark carries a rare internal tension: soft where you expect sharpness, structured where you expect looseness.
Some typefaces announce themselves loudly. Cherry Merlot does the opposite—it draws you in quietly, and then you can't stop looking at it.
That duality is exactly what makes the Cherry Merlot font one of the most compelling script releases on Creative Market right now.
You might also wanna read
Shantell Sans: A variable typeface blending readability with experimental animation styles
Shantell Sans is a new variable typeface created by artist Shantell Martin that offers multiple adjustable axes including Weight, Italic, In
shantellsans.com·1d ago
How Production Designer Danny Vermette Brought the 'Backrooms' Liminal Spaces to Life for A24
Article explores how production designer Danny Vermette collaborated with director Kane Parsons to translate the viral 'Backrooms' creepypas
IndieWire·2d ago
Marcante Font Family: A Bold Display Typeface by Sofia Mohr and Latinotype
The article reviews the Marcante font family by Latinotype, designed by Brazilian type designer Sofia Mohr. It argues that contemporary typo
weandthecolor.com·3d ago
Product Listing: Neon Fractal VI D Pillow by OmarHernandez
A product listing page for a "Neon Fractal VI D" pillow design by artist OmarHernandez, featuring a digitally manipulated fractal image. The
redbubble.com·5d ago
Venice Biennale 2026: Inside the Art, Fashion, and Parties That Defined the Opening Week
ELLE·7d ago
Byrne's Euclid: A Digital Reproduction of the 1847 Colored Geometry Classic
A digital reproduction and enhancement of Oliver Byrne's 1847 edition of Euclid's Elements, which famously used colored diagrams and symbols
c82.net·8d ago