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Everything Antennae Studio touches looks like it’s been spun from the careful hands of an ancient craftsman.
That’s maybe a bit hyperbolic, but when I first came upon their work, I was struck by the quality of detail, delicacy, and care throughout their projects, which radiate an immaculate sense of taste. So it wasn’t necessarily surprising to me that, when I connected with Antennae Studio’s founder and director, Amalia Aranguren, she told me about her carefully curated team and the holistic process they bring to each project.

Everything Antennae Studio touches looks like it’s been spun from the careful hands of an ancient craftsman. That’s maybe a bit hyperbolic, but when I first came upon their work, I was struck by the quality of detail, delicacy, and care throughout their projects, which radiate an immaculate sense of taste. So it wasn’t necessarily surprising to me that, when I connected with Antennae Studio’s founder and director, Amalia Aranguren, she told me about her carefully curated team and the holistic process they bring to each project.

Everything Antennae Studio touches looks like it’s been spun from the careful hands of an ancient craftsman.
That’s maybe a bit hyperbolic, but when I first came upon their work, I was struck by the quality of detail, delicacy, and care throughout their projects, which radiate an immaculate sense of taste. So it wasn’t necessarily surprising to me that, when I connected with Antennae Studio’s founder and director, Amalia Aranguren, she told me about her carefully curated team and the holistic process they bring to each project.

Everything Antennae Studio touches looks like it’s been spun from the careful hands of an ancient craftsman. That’s maybe a bit hyperbolic, but when I first came upon their work, I was struck by the quality of detail, delicacy, and care throughout their projects, which radiate an immaculate sense of taste. So it wasn’t necessarily surprising to me that, when I connected with Antennae Studio’s founder and director, Amalia Aranguren, she told me about her carefully curated team and the holistic process they bring to each project.

Everything Antennae Studio touches looks like it’s been spun from the careful hands of an ancient craftsman.
That’s maybe a bit hyperbolic, but when I first came upon their work, I was struck by the quality of detail, delicacy, and care throughout their projects, which radiate an immaculate sense of taste. So it wasn’t necessarily surprising to me that, when I connected with Antennae Studio’s founder and director, Amalia Aranguren, she told me about her carefully curated team and the holistic process they bring to each project.

Everything Antennae Studio touches looks like it’s been spun from the careful hands of an ancient craftsman. That’s maybe a bit hyperbolic, but when I first came upon their work, I was struck by the quality of detail, delicacy, and care throughout their projects, which radiate an immaculate sense of taste. So it wasn’t necessarily surprising to me that, when I connected with Antennae Studio’s founder and director, Amalia Aranguren, she told me about her carefully curated team and the holistic process they bring to each project.

Everything Antennae Studio touches looks like it’s been spun from the careful hands of an ancient craftsman.
That’s maybe a bit hyperbolic, but when I first came upon their work, I was struck by the quality of detail, delicacy, and care throughout their projects, which radiate an immaculate sense of taste. So it wasn’t necessarily surprising to me that, when I connected with Antennae Studio’s founder and director, Amalia Aranguren, she told me about her carefully curated team and the holistic process they bring to each project.

Everything Antennae Studio touches looks like it’s been spun from the careful hands of an ancient craftsman. That’s maybe a bit hyperbolic, but when I first came upon their work, I was struck by the quality of detail, delicacy, and care throughout their projects, which radiate an immaculate sense of taste. So it wasn’t necessarily surprising to me that, when I connected with Antennae Studio’s founder and director, Amalia Aranguren, she told me about her carefully curated team and the holistic process they bring to each project.

Body mist is one of those categories that has been waiting for someone to come along and make it exciting again. You know, beyond the likes of Victoria’s Secret body mists. 
Sundae’s packaging, designed by Jo Cutri Studio, just did it with a jellybean-shaped bottle that is so immediately joyful and tactile you want to pick up every single one. It references the love of the Y2K era for candy-colored everything, while feeling completely contemporary and right at home in the current wave of nostalgic design sweeping beauty, fashion, and product design.

Body mist is one of those categories that has been waiting for someone to come along and make it exciting again. You know, beyond the likes of Victoria’s Secret body mists. Sundae’s packaging, designed by Jo Cutri Studio, just did it with a jellybean-shaped bottle that is so immediately joyful and tactile you want to pick up every single one. It references the love of the Y2K era for candy-colored everything, while feeling completely contemporary and right at home in the current wave of nostalgic design sweeping beauty, fashion, and product design.

Sundae’s packaging, designed by Jo Cutri Studio, just did it with a jellybean-shaped bottle that is so immediately joyful and tactile you want to pick up every single one. It references the love of the Y2K era for candy-colored everything, while feeling completely contemporary and right at home in the current wave of nostalgic design sweeping beauty, fashion, and product design.

Sundae’s packaging, designed by Jo Cutri Studio, just did it with a jellybean-shaped bottle that is so immediately joyful and tactile you want to pick up every single one. It references the love of the Y2K era for candy-colored everything, while feeling completely contemporary and right at home in the current wave of nostalgic design sweeping beauty, fashion, and product design.

Sundae’s packaging, designed by Jo Cutri Studio, just did it with a jellybean-shaped bottle that is so immediately joyful and tactile you want to pick up every single one. It references the love of the Y2K era for candy-colored everything, while feeling completely contemporary and right at home in the current wave of nostalgic design sweeping beauty, fashion, and product design.

Sundae’s packaging, designed by Jo Cutri Studio, just did it with a jellybean-shaped bottle that is so immediately joyful and tactile you want to pick up every single one. It references the love of the Y2K era for candy-colored everything, while feeling completely contemporary and right at home in the current wave of nostalgic design sweeping beauty, fashion, and product design.

Sundae’s packaging, designed by Jo Cutri Studio, just did it with a jellybean-shaped bottle that is so immediately joyful and tactile you want to pick up every single one. It references the love of the Y2K era for candy-colored everything, while feeling completely contemporary and right at home in the current wave of nostalgic design sweeping beauty, fashion, and product design.

Sundae’s packaging, designed by Jo Cutri Studio, just did it with a jellybean-shaped bottle that is so immediately joyful and tactile you want to pick up every single one. It references the love of the Y2K era for candy-colored everything, while feeling completely contemporary and right at home in the current wave of nostalgic design sweeping beauty, fashion, and product design.

Sundae’s packaging, designed by Jo Cutri Studio, just did it with a jellybean-shaped bottle that is so immediately joyful and tactile you want to pick up every single one. It references the love of the Y2K era for candy-colored everything, while feeling completely contemporary and right at home in the current wave of nostalgic design sweeping beauty, fashion, and product design.

Sundae’s packaging, designed by Jo Cutri Studio, just did it with a jellybean-shaped bottle that is so immediately joyful and tactile you want to pick up every single one. It references the love of the Y2K era for candy-colored everything, while feeling completely contemporary and right at home in the current wave of nostalgic design sweeping beauty, fashion, and product design.

Sundae’s packaging, designed by Jo Cutri Studio, just did it with a jellybean-shaped bottle that is so immediately joyful and tactile you want to pick up every single one. It references the love of the Y2K era for candy-colored everything, while feeling completely contemporary and right at home in the current wave of nostalgic design sweeping beauty, fashion, and product design.

Sundae’s packaging, designed by Jo Cutri Studio, just did it with a jellybean-shaped bottle that is so immediately joyful and tactile you want to pick up every single one. It references the love of the Y2K era for candy-colored everything, while feeling completely contemporary and right at home in the current wave of nostalgic design sweeping beauty, fashion, and product design.

Sundae’s packaging, designed by Jo Cutri Studio, just did it with a jellybean-shaped bottle that is so immediately joyful and tactile you want to pick up every single one. It references the love of the Y2K era for candy-colored everything, while feeling completely contemporary and right at home in the current wave of nostalgic design sweeping beauty, fashion, and product design.

Sundae’s packaging, designed by Jo Cutri Studio, just did it with a jellybean-shaped bottle that is so immediately joyful and tactile you want to pick up every single one. It references the love of the Y2K era for candy-colored everything, while feeling completely contemporary and right at home in the current wave of nostalgic design sweeping beauty, fashion, and product design.

Body mist is one of those categories that has been waiting for someone to come along and make it exciting again. You know, beyond the likes of Victoria’s Secret body mists. 
Sundae’s packaging, designed by Jo Cutri Studio, just did it with a jellybean-shaped bottle that is so immediately joyful and tactile you want to pick up every single one. It references the love of the Y2K era for candy-colored everything, while feeling completely contemporary and right at home in the current wave of nostalgic design sweeping beauty, fashion, and product design.

Body mist is one of those categories that has been waiting for someone to come along and make it exciting again. You know, beyond the likes of Victoria’s Secret body mists. Sundae’s packaging, designed by Jo Cutri Studio, just did it with a jellybean-shaped bottle that is so immediately joyful and tactile you want to pick up every single one. It references the love of the Y2K era for candy-colored everything, while feeling completely contemporary and right at home in the current wave of nostalgic design sweeping beauty, fashion, and product design.

Body mist is one of those categories that has been waiting for someone to come along and make it exciting again. You know, beyond the likes of Victoria’s Secret body mists. 
Sundae’s packaging, designed by Jo Cutri Studio, just did it with a jellybean-shaped bottle that is so immediately joyful and tactile you want to pick up every single one. It references the love of the Y2K era for candy-colored everything, while feeling completely contemporary and right at home in the current wave of nostalgic design sweeping beauty, fashion, and product design.

Body mist is one of those categories that has been waiting for someone to come along and make it exciting again. You know, beyond the likes of Victoria’s Secret body mists. Sundae’s packaging, designed by Jo Cutri Studio, just did it with a jellybean-shaped bottle that is so immediately joyful and tactile you want to pick up every single one. It references the love of the Y2K era for candy-colored everything, while feeling completely contemporary and right at home in the current wave of nostalgic design sweeping beauty, fashion, and product design.

Body mist is one of those categories that has been waiting for someone to come along and make it exciting again. You know, beyond the likes of Victoria’s Secret body mists. 
Sundae’s packaging, designed by Jo Cutri Studio, just did it with a jellybean-shaped bottle that is so immediately joyful and tactile you want to pick up every single one. It references the love of the Y2K era for candy-colored everything, while feeling completely contemporary and right at home in the current wave of nostalgic design sweeping beauty, fashion, and product design.

Body mist is one of those categories that has been waiting for someone to come along and make it exciting again. You know, beyond the likes of Victoria’s Secret body mists. Sundae’s packaging, designed by Jo Cutri Studio, just did it with a jellybean-shaped bottle that is so immediately joyful and tactile you want to pick up every single one. It references the love of the Y2K era for candy-colored everything, while feeling completely contemporary and right at home in the current wave of nostalgic design sweeping beauty, fashion, and product design.

The coffee category is obsessed with origin stories and artisan credentials, but Café 170º, designed by M+C SAATCHI Spain for Mahou San Miguel, does something unexpected by building its identity around a single precise moment of science, the exact temperature at which coffee beans begin to transform.

The coffee category is obsessed with origin stories and artisan credentials, but Café 170º, designed by M+C SAATCHI Spain for Mahou San Miguel, does something unexpected by building its identity around a single precise moment of science, the exact temperature at which coffee beans begin to transform.

The coffee category is obsessed with origin stories and artisan credentials, but Café 170º, designed by M+C SAATCHI Spain for Mahou San Miguel, does something unexpected by building its identity around a single precise moment of science, the exact temperature at which coffee beans begin to transform.

The coffee category is obsessed with origin stories and artisan credentials, but Café 170º, designed by M+C SAATCHI Spain for Mahou San Miguel, does something unexpected by building its identity around a single precise moment of science, the exact temperature at which coffee beans begin to transform.

The coffee category is obsessed with origin stories and artisan credentials, but Café 170º, designed by M+C SAATCHI Spain for Mahou San Miguel, does something unexpected by building its identity around a single precise moment of science, the exact temperature at which coffee beans begin to transform.

The coffee category is obsessed with origin stories and artisan credentials, but Café 170º, designed by M+C SAATCHI Spain for Mahou San Miguel, does something unexpected by building its identity around a single precise moment of science, the exact temperature at which coffee beans begin to transform.

The coffee category is obsessed with origin stories and artisan credentials, but Café 170º, designed by M+C SAATCHI Spain for Mahou San Miguel, does something unexpected by building its identity around a single precise moment of science, the exact temperature at which coffee beans begin to transform.

The coffee category is obsessed with origin stories and artisan credentials, but Café 170º, designed by M+C SAATCHI Spain for Mahou San Miguel, does something unexpected by building its identity around a single precise moment of science, the exact temperature at which coffee beans begin to transform.

The coffee category is obsessed with origin stories and artisan credentials, but Café 170º, designed by M+C SAATCHI Spain for Mahou San Miguel, does something unexpected by building its identity around a single precise moment of science, the exact temperature at which coffee beans begin to transform.

The coffee category is obsessed with origin stories and artisan credentials, but Café 170º, designed by M+C SAATCHI Spain for Mahou San Miguel, does something unexpected by building its identity around a single precise moment of science, the exact temperature at which coffee beans begin to transform.

Irish vodka is not a category that usually stops you in your tracks, or even a drink that’s readily associated with the Emerald Isle. The Temple Bar’s Irish Vodka, designed by Widakk Design Studio, is the kind of bottle that earns a second and third look.

Irish vodka is not a category that usually stops you in your tracks, or even a drink that’s readily associated with the Emerald Isle. The Temple Bar’s Irish Vodka, designed by Widakk Design Studio, is the kind of bottle that earns a second and third look.