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“I Shot Andy Warhol” channels our rage

“I Shot Andy Warhol” channels our rage

The “Devil Wears Prada 2” wake-up call

The “Devil Wears Prada 2” wake-up call

Will Smith perfected blockbuster success, but his Oscar-worthiness is tougher – slap or no slap

Will Smith perfected blockbuster success, but his Oscar-worthiness is tougher – slap or no slap

Sarah Michelle Gellar has outgrown “Buffy”

Sarah Michelle Gellar has outgrown “Buffy”

Sofia Coppola: Not just for girls

Sofia Coppola: Not just for girls

“Reminders of Him” makes the case for melodrama

“Reminders of Him” makes the case for melodrama

Movies should make us uncomfortable

Movies should make us uncomfortable

The distressing death of the mall movie

The distressing death of the mall movie

Horror’s favorite formula is wearing thin

Horror’s favorite formula is wearing thin

“I Swear” tests our compassion

“I Swear” tests our compassion

Rose Byrne’s strange post-Oscars move

Rose Byrne’s strange post-Oscars move

How the “SNL” sausage gets made

How the “SNL” sausage gets made

“Undertone” embodies horror’s crucial less-is-more lesson

“Undertone” embodies horror’s crucial less-is-more lesson

With “The End of Oak Street,” dinosaur fans may finally have their movie

With “The End of Oak Street,” dinosaur fans may finally have their movie

“Frankenstein” needed a woman’s touch

“Frankenstein” needed a woman’s touch

“Hag” is a Tubi movie to rule them all

“Hag” is a Tubi movie to rule them all

Something’s off about “Animal Farm”

Something’s off about “Animal Farm”

The inescapable unease of the Michael Jackson biopic

The inescapable unease of the Michael Jackson biopic

“Project Hail Mary” is movie medicine

“Project Hail Mary” is movie medicine

How Cheech & Chong lit up the film industry

How Cheech & Chong lit up the film industry