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Maggie Gyllenhaal on How ‘The Bride!’ Cracks Hollywood Fantasies Wide Open

Maggie Gyllenhaal on How ‘The Bride!’ Cracks Hollywood Fantasies Wide Open

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Richard Baneham and Eric Saindon on the ‘Never Easy’ Visual Effects of ‘Avatar: Fire and Ash’

Richard Baneham and Eric Saindon on the ‘Never Easy’ Visual Effects of ‘Avatar: Fire and Ash’

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‘Sirāt’: Is This Oscar Contender with a Brutal Twist Actually Hopeful?

‘Sirāt’: Is This Oscar Contender with a Brutal Twist Actually Hopeful?

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‘Industry’ Creators on Mapping Yasmin’s Arc from Wallflower to Ghislaine Maxwell

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The Hardest Scene to Craft in ‘Ready or Not 2: Here I Come’ Didn’t Involve Any Blood at All

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‘Zootopia 2’: The Pawbert Twist, Andy Samberg, and the Big Last Minute Fix

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Mary Bronstein on the Primal Screams of Humans and Hamsters in ‘If I Had Legs I’d Kick You’

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Baz Luhrmann on Telling Elvis Presley’s Story in the King’s Own Words

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How Maggie Gyllenhaal’s ‘The Bride!’ Uses IMAX Like No Other Film

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Showrunner Ira Parker on Bringing Whimsy and Western Spirit to ‘A Knight of the Seven Kingdoms’

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‘Sinners’ Cinematographer Autumn Durald Arkapaw on Her Chance to Make Oscar History: ‘When Women Are Met with Opportunity, the Sky’s the Limit’

‘Sinners’ Cinematographer Autumn Durald Arkapaw on Her Chance to Make Oscar History: ‘When Women Are Met with Opportunity, the Sky’s the Limit’

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Adapting ‘Train Dreams’: Clint Bentley on Why Changing One of the ‘Greatest Endings in Literature’ Mattered

Adapting ‘Train Dreams’: Clint Bentley on Why Changing One of the ‘Greatest Endings in Literature’ Mattered

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